Directed by Rajeev Ravi
Written by Santosh Echikkanam
Starring Fahadh Fazil, Andrea Jeremiah, Aashiq Abu
The basic premise of Annayum Rasoolum is one of the most cliched, predictable and what was once the staple fare of pan-Indian cinema through the late 80s and 90s: love at first sight, boy pursuing girl until girl agrees to fall back in love, unwilling families on both sides, girl eloping with boy, and the eventual climax. But what makes this film worth the watch is the freshness in treatment.
For one thing, the traditional song-and-dance routine is entirely done away with, the songs merely to highlight the emotional state of either of the characters. The story is set around Fort Kochi , serves as a major backdrop to the events around which the story will turn. A lot of emphasis is placed on characterisation, and each character in the film become quite believable. Dialogues are pared down to a minimum, and melodrama is also downplayed to a great extent. It is the eyes that do most of the talking, especially the eyes of our protagonists. Everything, from infatuation to search, discomfort, anticipation, acceptance, disillusionment and devastation are all communicated with the eyes.
Rajeev's skills as director are also evident in this work, in the way he stages his scenes and especially in his handling of actors. Annayum Rassolum is one of the most well-acted films in Malayalam I have seen in a long while, and every character, right down to the menacing brother of the heroine (another cliche!), are done quite convincingly. Even directors Aashiq Abu, as Rasool's brother and Renjith as their father, have played their parts convincingly.
When a film has so many virtues, one has to ignore the weak storyline. And yet, the film manages to rattle you with its ending in ways few films dealing with the same plot actually can. And have.
Written by Santosh Echikkanam
Starring Fahadh Fazil, Andrea Jeremiah, Aashiq Abu
The basic premise of Annayum Rasoolum is one of the most cliched, predictable and what was once the staple fare of pan-Indian cinema through the late 80s and 90s: love at first sight, boy pursuing girl until girl agrees to fall back in love, unwilling families on both sides, girl eloping with boy, and the eventual climax. But what makes this film worth the watch is the freshness in treatment.
For one thing, the traditional song-and-dance routine is entirely done away with, the songs merely to highlight the emotional state of either of the characters. The story is set around Fort Kochi , serves as a major backdrop to the events around which the story will turn. A lot of emphasis is placed on characterisation, and each character in the film become quite believable. Dialogues are pared down to a minimum, and melodrama is also downplayed to a great extent. It is the eyes that do most of the talking, especially the eyes of our protagonists. Everything, from infatuation to search, discomfort, anticipation, acceptance, disillusionment and devastation are all communicated with the eyes.
Rajeev's skills as director are also evident in this work, in the way he stages his scenes and especially in his handling of actors. Annayum Rassolum is one of the most well-acted films in Malayalam I have seen in a long while, and every character, right down to the menacing brother of the heroine (another cliche!), are done quite convincingly. Even directors Aashiq Abu, as Rasool's brother and Renjith as their father, have played their parts convincingly.
When a film has so many virtues, one has to ignore the weak storyline. And yet, the film manages to rattle you with its ending in ways few films dealing with the same plot actually can. And have.
